The aspirational
world of beauty has changed over the last few years due to many reasons. Once a
sidekick to fashion, the beauty industry is one of the fastest growing
industries, and it really goes hand-in-hand with social media. One of the key reformations
to shake the beauty world has been the evolution of social media – from
personal, to business-minded and then back to personal again.
Five to ten years ago saw
the career launch of beauty bloggers along the likes of Tanya Burr, Zoe Sugg, Michelle Phan etc. Their careers began as a hobby, using YouTube as a platform to
showcase their latest beauty buys and makeup tutorials. A small percentage of
beauty bloggers are professionals, the others are often self-described
amateurs.
One of the UK’s most
successful beauty bloggers, Zoe Sugg (otherwise known as Zoella), began her
career as a hobby, filming in her bedroom. She now has over 7 million subscribers
on YouTube, two best-selling books and a beauty range selling in the UK’s
best-known drugstores. Sugg successfully turned what was initially just a hobby
into a worldwide business.
The 18 months has
seen an additional 18 Mecca Cosmetica stores open as well as the first three
Australian Sephora stores. Luxury beauty products are more in demand now than
ever, and this is largely thanks to the online beauty community. Whenever a top
beauty blogger mentions a product, it is guaranteed to be sold out within a
day. You don’t have to be a beauty professional to become a beauty expert, with
the help of an internet connection and thirst for knowledge (and the latest
liquid lipsticks in every available shade of course).
Social media has had
a large impact on how we shop for products. It has also changed who the
authoritative voices in the beauty industry are and who we turn to for advice.
Everyone nowadays can be a “beauty guru”. All you need is a computer, a camera
and… a bit of money to keep being able to afford posting hauls and unboxing videos.
The accessibility of
all things online has made beauty and all its tricks less of an underground
art. This is especially the case because cosmetics create visual effects after
all.
Credit: L'Oréal Paris Instagram |
Casandra Ramos, Social Media Assistant Manager at L’Oréal Paris in the US, says: “The beauty industry
lends itself so well to social media because social media helps make tips and
tricks more accessible to everyone. Consumers can share their learned techniques
and newfound expertise that were not easily accessible before social media.
Because of that there has been an increase in demand for products that
otherwise would not have been desired or really known about. Beauty content is
visual and inspirational.”
With social media
has come a demand for all things beauty to become personal. Customers are no
longer content with recommendations from beauty journalists alone. We crave
full knowledge of products before we decide to take the plunge. This has been
facilitated by the almighty beauty bloggers of the world and the use of social
media. Over last few years, social media has seen a shift and the big
corporations have had to adapt in order to keep up with what customers want. What
this shift in social media has done is that it has made unlikely products from
faraway lands become cult items. Or if we’re sticking to the beauty blogger
lingo: holy grail products.
As beauty product
information becomes more accessible, the want for more unique products has
developed. With image-based social media platforms such as Instagram and
Pinterest, and video-based platforms such as Youtube, the latest beauty
products are at our fingertips before even committing to purchasing. There is
an online beauty cult in the shape of bloggers and their monthly favourite
products, vloggers and their hauls and Instagrammers and their lipstick
swatches. If you have ever delved into this world, you might be able to name
the shades of eyeshadows you haven’t seen in real life.
Steven Waldberg, Vice
President of Integrated Marketing Communication at Maybelline New York says: “Companies
used to sell products based on a promise. Consumers had to take a leap of faith
and trust their brands to give them better skin, a beautiful red pout or smoky
eye for instance. Image and video-based platforms such as YouTube, Instagram or
Snapchat, have given consumers a platform to play in front of an audience and
truly put to test the saying ‘seeing is believing’. We’ve gone from a one-way
monologue to a conversation involving many, often times millions!”
Waldberg argues that
this shift has put the power into the hands of cosnumers. He says: “These
platforms have further democratized beauty (and makeup in particular) and made
it by the same token more popular with all age groups. Consumers are now
empowered to experiment with beauty, sometimes even coming up with amazing
‘hacks’ which perhaps even brands had not thought of. Brands and retailers have
reacted and also launched their own apps (like Makeup Genius for L’Oréal Paris)
enabling consumers to try on makeup virtually which was a first at mass, when
in most countries, consumers don’t have beauty advisors at point of sale to
help them navigate shades and textures. In essence, brands cannot only sell
products anymore, they have to also provide service and education to add value
to the experience and to their consumers.”
Credit: Maybelline New York Instagram |
The rise of Snapchat
has certainly changed the way in which customers or fans of brands experience
products. With the likes of the Kardashian sisters and other high profile
celebrities giving a real insight into the products they use and how they
achieve their look, beauty is becoming more accessible and in a personal way.
Snapchat allows for 10 second long videos, which demands concise communication
but it is at its core, visual. The visual aspect of social media is perhaps why
this change can be considered so important.
Platforms such as
Snapchat also allow for a behind-the-scenes exclusive content, which means that
consumers know what kind of beauty looks are going to be hitting the world by
storm. As much as editorial, highly produced content is still en vogue, there
is a want for more personal, raw content.
Ramos says:
“Snapchat allows for behind-the-scenes of fashion shows and events. This offers
a glimpse into the exclusivity of events they could not access before. Snapchat
can now also be used to filter our looks and optimize our visual content, which
works well alongside the beauty industry.”
Although some may
view the cosmetic industry as frivolous, it has played a large part in social
acceptance and progression. The fascination involving creative makeup and drag
has pushed for a wider acceptance of men wearing makeup. It has also sparked
debates on what society considers to be beautiful and how it should be defined.
As social media platforms allow for discussion and debate, it has allowed for
progression to be made in the real world.
A love for cosmetics
is also more wallet-friendly than a fashion obsession, as Waldberg says: “When
the last recession hit in 2008, a lot of people were no longer spending the
same amounts as they had been on clothes. Beauty became more of a thing
because, as Anna Wintour once said on David Letterman, if one can’t afford an
expensive dress, one can perhaps spend $10 or $20 on a lipstick, which is just
as much of a statement and accessory of sorts to express one’s mood. Beauty
brands have also widened their offerings creating many new products to address
every inch of one’s face and body - bronzers, brow products, highlighters, to
name just a few. In other words, the beauty category is more complete and
interesting than it’s ever been.”
According to Statista,
the country with the largest revenue from the cosmetic market is the United
States, with a revenue estimated to exceed $62 billion USD in 2016. As the
beauty sector continues to innovate and adapt alongside social media, the real
question is: when will there be London, New York, Paris and Milan Beauty Week?
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